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In modern western history, the cultural and social developments of
modernism have long been associated with Jews. For conservative
groups this has been a negative association: the perceived
breakdown of traditional norms was blamed on Jewish influence in
politics, society, and the arts. Throughout Europe, Jews were
viewed as carriers of industrialized and cosmopolitan developments
that threatened to undermine a cherished way of life.
"An indispensable anthology that immediately renders its predecessors obsolete. With its gathering of public and private documents, it carries us through the rise and fall of one of the great upheavals of modern art."--Robert Rosenblum, New York University "These essays, including many previously unavailable in English, are rich with startling new insights into the German Expressionist psyche. Elucidating the artists' view of government, the role of women in modern society, and their own ambivalence about the effectiveness of abstract art, this anthology is essential reading for all scholars and students of twentieth-century art."--Joan Marter, author of "Alexander Calder
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